70d26c3f4f
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2533 lines
70 KiB
Plaintext
2533 lines
70 KiB
Plaintext
@T A Thunderstorm in Town
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She wore a new "terra-cotta" dress,
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And we stayed, because of the pelting storm,
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Within the hansom's dry recess,
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Though the horse had stopped; yea, motionless
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We sat on, snug and warm.
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Then the downpour ceased, to my sharp sad pain
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And the glass that had screened our forms before
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Flew up, and out she sprang to her door:
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I should have kissed her if the rain
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Had lasted a minute more.
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@A Thomas Hardy
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#
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They say my verse is sad: no wonder;
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Its narrow measure spans
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Tears of eternity, and sorrow,
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Not mine, but man's.
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This is for all ill-treated fellows
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Unborn and unbegot,
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For them to read when they're in trouble
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And I am not.
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@A A. E. Housman
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#
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@T On a Day's Stint
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And long ere dinner-time I have
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Full eight close pages wrote.
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What, Duty, hast thou now to crave?
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Well done, Sir Walter Scott!
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@A Sir Walter Scott
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#
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@T The Choir Boy
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And when he sang in choruses
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His voice o'ertopped the rest,
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Which is very inartistic,
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But the public like that best.
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@A Anonymous
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#
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@T For Johnny
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Do not despair
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For Johnny-head-air;
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He sleeps as sound
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As Johnny underground.
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Fetch out no shroud
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For Johnny-in-the-cloud;
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And keep your tears
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For him in after years.
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Better by far
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For Johnny-the-bright-star,
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To keep your head,
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And see his children fed.
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@A John Pudney
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#
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@T Cock-Crow
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Out of the wood of thoughts that grows by night
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To be cut down by the sharp axe of light, -
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Out of the night, two cocks together crow,
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Cleaving the darkness with a silver blow:
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And bright before my eyes twin trumpeters stand,
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Heralds of splendour, one at either hand,
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Each facing each as in a coat of arms:
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The milkers lace their boots up at the farms.
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@A Edward Thomas
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#
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@T After Long Silence
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Speech after long silence; it is right,
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All other lovers being estranged or dead,
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Unfriendly lamplight hid under its shade,
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The curtains drawn upon unfriendly night,
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That we descant and yet again descant
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Upon the supreme theme of Art and Song:
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Bodily decrepitude is wisdom; young
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We loved each other and were ignorant.
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@A W. B. Yeats
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#
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@T Clouds
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Down the blue night the unending columns press
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In noiseless tumult, break and wave and flow,
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Now tread the far South, or lift rounds of snow
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Up to the white moon's hidden loveliness.
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Some pause in their grave wandering comradeless,
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And turn with profound gesture vague and slow,
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As who would pray good for the world, but know
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Their benediction empty as they bless.
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They say that the Dead die not, but remain
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Near to the rich heirs of their grief and mirth.
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I think they ride the calm mid-heaven, as these,
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In wise majestic melancholy train,
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And watch the moon, and the still-raging seas,
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And men coming and going on the earth.
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@A Rupert Brooke
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#
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@T If I should ever by Chance
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If I should ever by chance grow rich
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I'll buy Codham, Cockridden, and Childerditch,
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Roses, Pyrgo, and Lapwater,
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And let them all to my elder daughter.
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The rent I shall ask of her will be only
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Each year's violets, white and lonely,
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The first primroses and orchises -
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She must find them before I do, that is.
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But if she finds a blossom on furze
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Without rent they shall all for ever be hers,
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Codham, Cockridden, and Childerditch,
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Roses, Pyrgo, and Lapwater, -
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I shall give them all to my elder daughter.
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@A Edward Thomas
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#
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@T Adlestrop
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Yes, I remember Adlestrop -
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The name, because one afternoon
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Of heat the express-train drew up there
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Unwontedly. It was late June.
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The steam hissed. Someone cleared his throat.
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No one left and no one came
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On the bare platform. What I saw
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Was Adlestrop - only the name
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And willows, willow-herb, and grass,
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And meadowsweet, and haycocks dry,
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No whit less still and lonely fair
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Than the high cloudlets in the sky.
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And for that minute a blackbird sang
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Close by, and round him, mistier,
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Farther and farther, all the birds
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Of Oxfordshire and Gloucestershire.
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@A Edward Thomas
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#
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@T Tall Nettles
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Tall nettles cover up, as they have done
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These many springs, the rusty harrow, the plough
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Long worn out, and the roller made of stone:
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Only the elm butt tops the nettles now.
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This corner of the farmyard I like most:
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As well as any bloom upon a flower
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I like the dust on the nettles, never lost
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Except to prove the sweetness of a shower.
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@A Edward Thomas
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#
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@T The Cherry Trees
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The cherry trees bend over and are shedding
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On the old road where all that passed are dead,
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Their petals, strewing the grass as for a wedding
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This early May morn when there is none to wed.
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@A Edward Thomas
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#
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@T What will they do?
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What will they do when I am gone? It is plain
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That they will do without me as the rain
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Can do without the flowers and the grass
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That profit by it and must perish without.
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I have but seen them in the loud street pass;
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And I was naught to them. I turned about
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To see them disappearing carelessly.
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But what if I in them as they in me
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Nourished what has great value and no price?
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Almost I thought that rain thirsts for a draught
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Which only in the blossom's chalice lies,
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Until that one turned back and lightly laughed.
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@A Edward Thomas
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#
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@T The Lane
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Some day, I think, there will be people enough
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In Froxfield to pick all the blackberries
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Out of the hedges of Green Lane, the straight
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Broad lane where now September hides herself
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In bracken and blackberry, harebell and dwarf gorse.
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Today, where yesterday a hundred sheep
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Were nibbling, halcyon bells shake to the sway
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Of waters that no vessel ever sailed...
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It is a kind of spring: the chaffinch tries
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His song. For heat it is like summer too.
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This might be winter's quiet. While the glint
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Of hollies dark in the swollen hedges lasts -
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One mile - and those bells ring, little I know
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Or heed if time be still the same, until
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The lane ends and once more all is the same.
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@A Edward Thomas
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#
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@T In Memoriam (Easter, 1915)
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The flowers left thick at nightfall in the wood
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This Eastertide call into mind the men,
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Now far from home, who, with their sweethearts, should
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Have gathered them and will do never again.
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@A Edward Thomas
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#
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@T Failure
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Because God put His adamantine fate
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Between my sullen heart and its desire,
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I swore that I would burst the Iron Gate,
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Rise up, and curse Him on His throne of fire.
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Earth shuddered at my crown of blasphemy,
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But Love was as a flame about my feet;
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Proud up the Golden Stair I strode; and beat
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Thrice on the Gate, and entered with a cry -
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All the great courts were quiet in the sun,
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And full of vacant echoes: moss had grown
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Over the glassy pavement, and begun
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To creep within the dusty council-halls.
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An idle wind blew round an empty throne
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And stirred the heavy curtains on the walls.
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@A Rupert Brooke
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#
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@T Sonnet
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I said I splendidly loved you; it's not true.
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Such long swift tides stir not a land-locked sea.
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On gods or fools the high risk falls - on you -
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The clean clear bitter-sweet that's not for me.
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Love soars from earth to ecstasies unwist.
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Love is flung Lucifer-like from Heaven to Hell.
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But - there are wanderers in the middle mist,
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Who cry for shadows, clutch, and cannot tell
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Whether they love at all, or, loving, whom:
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An old song's lady, a fool in fancy dress,
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Or phantoms, or their own face on the gloom;
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For love of Love, or from heart's loneliness.
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Pleasure's not theirs, nor pain. They doubt, and sigh,
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And do not love at all. Of these am I.
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@A Rupert Brooke
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#
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@T The Hill
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Breathless, we flung us on the windy hill,
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Laughed in the sun, and kissed the lovely grass.
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You said, `Through glory and ecstasy we pass;
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Wind, sun, and earth remain, the birds sing still,
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When we are old, are old...' `And when we die
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All's over that is ours; and life burns on
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Through other lovers, other lips,' said I,
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`Heart of my heart, our heaven is now, is won!'
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`We are Earth's best, that learnt her lesson here.
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Life is our cry. We have kept the faith!' we said;
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`We shall go down with unreluctant tread
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Rose-crowned into the darkness!' ...Proud we were,
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And laughed, that had such brave true things to say,
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- And then you suddenly cried, and turned away.
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@A Rupert Brooke
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#
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@T Song
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All suddenly the wind comes soft,
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And Spring is here again;
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And the hawthorn quickens with buds of green,
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And my heart with buds of pain.
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My heart all Winter lay so numb,
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The earth so dead and frore,
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That I never thought the Spring would come,
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Or my heart wake any more.
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But Winter's broken and earth has woken.
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And the small birds cry again;
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And the hawthorn hedge puts forth its buds,
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And my heart puts forth its pain.
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@A Rupert Brooke
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#
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@T The Way that Lovers Use
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The way that lovers use is this:
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They bow, catch hands, with never a word,
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And their lips meet, and they do kiss,
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- So I have heard.
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They queerly find some healing so,
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And strange attainment in the touch;
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There is a secret lovers know,
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- I have read as much.
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And theirs is no longer joy nor smart,
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Changing or ending, night or day;
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But mouth to mouth, and heart on heart,
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- So lovers say.
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@A Rupert Brooke
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#
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@T Song
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The way of love was thus.
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He was born one winter's morn
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With hands delicious,
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And it was well with us.
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Love came our quiet way,
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Lit pride in us, and died in us,
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All in a winter's day.
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There is no more to say.
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@A Rupert Brooke
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#
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@T Sonnet Reversed
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Hand trembling towards hand; the amazing lights
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Of heart and eye. They stood on supreme heights.
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Ah, the delirious weeks of honeymoon!
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Soon they returned, and after strange adventures,
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Settled at Balham by the end of June.
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Their money was in Can. Pasc. B. Debentures,
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And in Antofagastas. Still he went
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Cityward daily; still she did abide
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At home. And both were really quite content
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With work and social pleasures. Then they died.
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They left three children (besides George, who drank):
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The eldest Jane, who married Mr Bell,
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William, the head-clerk in the County Bank,
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And Henry, a stock-broker, doing well.
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@A Rupert Brooke
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#
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@T A White Rose
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The red rose whispers of passion,
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And the white rose breathes of love;
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O, the red rose is a falcon,
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And the white rose is a dove.
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But I send you a cream-white rosebud
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With a flush on its petal tips;
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For the love that is purest and sweetest
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Has a kiss of desire on the lips.
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@A John Boyle O'Reilly
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#
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@T Urceus Exit
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I intended an Ode,
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And it turn'd to a Sonnet.
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It began 'a la mode',
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I intended an Ode;
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But Rose cross'd the road
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In her latest new bonnet;
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I intended an Ode;
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And it turn'd to a Sonnet.
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@A Austin Dobson
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#
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@T Pippa's Song
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The year's at the spring,
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And day's at the morn;
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Morning's at seven;
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The hill-side's dew-pearl'd;
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The lark's on the wing;
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The snail's on the thorn;
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God's in His heaven -
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All's right with the world!
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@A Robert Browning
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#
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@T Song
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She is not fair to outward view
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As many maidens be,
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Her loveliness I never knew
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Until she smiled on me;
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O, then I saw her eye was bright,
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A well of love, a spring of light!
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But now her looks are coy and cold,
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To mine they ne'er reply,
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And yet I cease not to behold
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The love-light in her eye:
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Her very frowns are fairer far
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Than smiles of other maidens are.
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@A Hartley Coleridge
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#
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@T Rondeau
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Jenny kiss'd me when we met,
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Jumping from the chair she sat in;
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Time, you thief, who love to get
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Sweets into your list, put that in!
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Say I'm weary, say I'm sad,
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Say that health and wealth have miss'd me,
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Say I'm growing old, but add,
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Jenny kiss'd me.
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@A J. H. Leigh Hunt
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#
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@T A Drinking Song
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Bacchus must now his power resign -
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I am the only God of Wine!
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It is not fit the wretch should be
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In competition set with me,
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Who can drink ten times more than he.
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Make a new world, ye powers divine!
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Stock'd with nothing else but Wine:
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Let Wine its only product be,
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Let Wine be earth, and air, and sea -
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And let that Wine be all for me!
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@A Henry Carey
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#
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I never had a piece of toast
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Particularly long and wide,
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But fell upon the sanded floor
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And always on the buttered side.
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@A James Payn
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#
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@T Summer Evening
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The frog, half fearful, jumps across the path,
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And little mouse that leaves its hole at eve
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Nimbles with timid dread beneath the swath;
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My rustling steps awhile their joys deceive,
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Till past - and then the cricket sings more strong,
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And grasshoppers in merry mood still wear
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The short night weary with their fretting song.
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Up from behind the mole-hill jumps the hare,
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Cheat of his chosen bed, and from the bank
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The yellowhammer flutters in short fears
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From off its nest hid in the grasses rank,
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And drops again when no more noise it hears.
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Thus nature's human link and endless thrall,
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Proud man, still seems the enemy of all.
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@A John Clare
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#
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@T Diamond Cut Diamond
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Two cats
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One up a tree
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One under the tree
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The cat up a tree is he
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The cat under the tree is she
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The tree is witch elm, just incidentally.
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He takes no notice of she, she takes no notice of he.
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He stares at the woolly clouds passing, she stares at the tree.
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There's been a lot written about cats, by Old Possum, Yeats and
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Company
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But not Alfred de Musset or Lord Tennyson or Poe or anybody
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Wrote about one cat under, and one cat up, a tree.
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God knows why this should be left for me
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Except I like cats as cats be
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Especially one cat up
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And one cat under
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A witch elm
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Tree.
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@A Ewart Milne
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#
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@T Time and Love
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When I have seen by Time's fell hand defaced
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The rich proud cost of out-worn buried age;
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When sometime lofty towers I see down-razed,
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And brass eternal slave to mortal rage;
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When I have seen the hungry ocean gain
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Advantage on the kingdom of the shore,
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And the firm soil win of the watery main,
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Increasing store with loss, and loss with store;
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When I have seen such interchange of state,
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Or state itself confounded to decay,
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Ruin hath taught me thus to ruminate -
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That Time will come and take my Love away:
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- This thought is as a death, which cannot choose
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But weep to have that which it fears to lose.
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@A William Shakespeare
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#
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Under the greenwood tree
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Who loves to lie with me,
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And turn his merry note
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Unto the sweet bird's throat -
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Come hither, come hither, come hither !
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Here shall he see
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No enemy
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But winter and rough weather.
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Who doth ambition shun
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And loves to live i' the sun,
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Seeking the food he eats
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And pleased with what he gets -
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Come hither, come hither, come hither!
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Here shall he see
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No enemy
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But winter and rough weather.
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@A William Shakespeare
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#
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@T Absence
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Being your slave, what should I do but tend
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Upon the hours and times of your desire?
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I have no precious time at all to spend
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Nor services to do, till you require:
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Nor dare I chide the world-without-end hour
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Whilst I, my sovereign, watch the clock for you,
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Nor think the bitterness of absence sour
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When you have bid your servant once adieu:
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Nor dare I question with my jealous thought
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Where you may be, or your affairs suppose,
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But like a sad slave, stay and think of nought
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Save, where you are, how happy you make those;-
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So true a fool is love, that in your will,
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Though you do anything, he thinks no ill.
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@A William Shakespeare
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#
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To me, fair Friend, you never can be old,
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For as you were when first your eye I eyed
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Such seems your beauty still. Three winters cold
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Have from the forests shook three summers' pride;
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Three beauteous springs to yellow autumn turn'd
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In process of the seasons have I seen,
|
|
Three April perfumes in three hot Junes burn'd,
|
|
Since first I saw you fresh, which yet are green.
|
|
|
|
Ah! yet doth beauty, like a dial-hand,
|
|
Steal from his figure, and no pace perceived;
|
|
So your sweet hue, which methinks still doth stand,
|
|
Hath motion, and mine eye may be deceived:
|
|
|
|
For fear of which, hear this, thou age unbred,-
|
|
Ere you were born, was beauty's summer dead.
|
|
|
|
@A William Shakespeare
|
|
#
|
|
@T To His Love
|
|
|
|
Shall I compare thee to a summer's day?
|
|
Thou art more lovely and more temperate:
|
|
Rough winds do shake the darling buds of May,
|
|
And summer's lease hath all too short a date:
|
|
|
|
Sometime too hot the eye of heaven shines,
|
|
And often is his gold complexion dimm'd:
|
|
And every fair from fair sometime declines,
|
|
By chance, or nature's changing course, untrimm'd.
|
|
|
|
But thy eternal summer shall not fade
|
|
Nor lose possession of that fair thou owest;
|
|
Nor shall death brag thou wanderest in his shade,
|
|
When in eternal lines to time thou growest:
|
|
|
|
So long as men can breathe, or eyes can see,
|
|
So long lives this, and this gives life to thee.
|
|
|
|
@A William Shakespeare
|
|
#
|
|
@T Carpe Diem
|
|
|
|
O Mistress, where are you roaming?
|
|
O stay and hear! your true-love's coming
|
|
That can sing both high and low;
|
|
Trip no further, pretty sweeting,
|
|
Journey's end in lovers' meeting -
|
|
Every wise man's son doth know.
|
|
|
|
What is love? 'tis not hereafter;
|
|
Present mirth hath present laughter;
|
|
What's to come is still unsure;
|
|
In delay there lies no plenty,-
|
|
Then come kiss me, Sweet-and-twenty,
|
|
Youth's a stuff will not endure.
|
|
|
|
@A William Shakespeare
|
|
#
|
|
@T A Sea Dirge
|
|
|
|
Full fathom five thy father lies:
|
|
Of his bones are coral made;
|
|
Those are peals that were his eyes;
|
|
Nothing of him that doth fade
|
|
But doth suffer a sea-change
|
|
Into something rich and strange.
|
|
Sea-nymphs hourly ring his knell;
|
|
Hark! now I hear them,-
|
|
Ding, dong, bell.
|
|
|
|
@A William Shakespeare
|
|
#
|
|
@T On the Tombs in Westminster Abbey
|
|
|
|
Mortality, behold and fear,
|
|
What a change of flesh is here!
|
|
Think how many royal bones
|
|
Sleep within these heaps of stones;
|
|
Here they lie, had realms and lands,
|
|
Who now want strength to stir their hands,
|
|
Where from their pulpits seal'd with dust
|
|
They preach, `In greatness is no trust.'
|
|
Here's an acre sown indeed
|
|
With the richest royallest seed
|
|
That the earth did e'er suck in
|
|
Since the first man died for sin:
|
|
Here the bones of birth have cried
|
|
`Though gods they were, as men they died!'
|
|
Here are sands, ignoble things,
|
|
Dropt from the ruin'd sides of kings:
|
|
Here's a world of pomp and state
|
|
Buried in dust, once dead by fate.
|
|
|
|
@A F. Beaumont
|
|
#
|
|
@T The Terror of Death
|
|
|
|
When I have fears that I may cease to be
|
|
Before my pen has glean'd my teeming brain,
|
|
Before high-piled books, in charact'ry
|
|
Hold like rich garners the full-ripen'd grain;
|
|
|
|
When I behold, upon the night's starr'd face,
|
|
Huge cloudy symbols of a high romance,
|
|
And think that I may never live to trace
|
|
Their shadows, with the magic hand of chance;
|
|
|
|
And when I feel, fair creature of an hour!
|
|
That I shall never look upon thee more,
|
|
Never have relish in the fairy power
|
|
Of unreflecting love - then on the shore
|
|
|
|
Of the wide world I stand alone, and think
|
|
Till love and fame to nothingness do sink.
|
|
|
|
@A J. Keats
|
|
#
|
|
@T Young and Old
|
|
|
|
When all the world is young, lad,
|
|
And all the trees are green;
|
|
And every goose a swan, lad,
|
|
And every lass a queen;
|
|
Then hey for boot and horse, lad,
|
|
And round the world away;
|
|
Young blood must have its course, lad,
|
|
And every dog his day.
|
|
|
|
When all the world is old, lad,
|
|
And all the trees are brown;
|
|
And all the sport is stale, lad,
|
|
And all the wheels run down;
|
|
Creep home, and take your place there,
|
|
The spent and maimed among:
|
|
God grant you find one face there,
|
|
You loved when all was young.
|
|
|
|
@A C. Kingsley
|
|
#
|
|
@T Pied Beauty
|
|
|
|
Glory be to God for dappled things-
|
|
For skies of couple-colour as a brindled cow;
|
|
For rose-moles all in stipple upon trout that swim;
|
|
Fresh-firecoal chestnut-falls; finches' wings;
|
|
Landscape plotted and pieced - fold, fallow, and plough;
|
|
And all trades, their gear and tackle and trim.
|
|
|
|
All things counter, original, spare, strange;
|
|
Whatever is fickle, freckled (who knows how?)
|
|
With swift, slow; sweet, sour; adazzle, dim;
|
|
He fathers-forth whose beauty is past change:
|
|
Praise Him.
|
|
|
|
@A Gerard Manley-Hopkins
|
|
#
|
|
@T The Lake Isle of Innisfree
|
|
|
|
I will arise, and go to Innisfree,
|
|
And a small cabin build there, of clay and wattles made;
|
|
Nine bean rows will I have there, a hive for the hiney bee,
|
|
And live alone in the bee-loud glade.
|
|
|
|
And I shall have some peace there, for peace comes dropping slow,
|
|
Dropping from the veils of the morning to where the cricket sings;
|
|
There midnight's all a-glimmer, and noon a purple glow,
|
|
And evening full of the linnet's wings.
|
|
|
|
I will arise and go now, for always night and day
|
|
I hear lake water lapping with low sounds by the shores;
|
|
While I stand on the roadway, or on the pavements gray,
|
|
I hear it in the deep heart's core.
|
|
|
|
@A W.B. Yeats
|
|
#
|
|
@T The Soldier
|
|
|
|
If I should die, think only this of me:
|
|
That there's some corner of a foreign field
|
|
That is for ever England. There shall be
|
|
In that rich earth a richer dust concealed;
|
|
A dust whom England bore, shaped, made aware,
|
|
Gave, once, her flowers to love, her ways to roam,
|
|
Washed by the rivers, blest by suns of home.
|
|
|
|
And think, this heart, all evil shed away,
|
|
A pulse in the eternal mind, no less
|
|
Gives somewhere back the thoughts by England given;
|
|
Her sights and sounds; dreams happy as her day;
|
|
And laughter, learnt of friends; and gentleness,
|
|
In hearts at peace, under an English heaven.
|
|
|
|
@A Rupert Brooke
|
|
#
|
|
@T Towers
|
|
|
|
Protected from the gales, we,
|
|
By the line of trees along the bank
|
|
From storms that batter Fife
|
|
And life here through the changing seasons -
|
|
Unchanging, a lonely beauty,
|
|
No reason to look to the rush
|
|
Beyond the rustle of the bushes.
|
|
But through the curtain of our trees,
|
|
The distant towers like castle turrets
|
|
Gleam by day and shine by night,
|
|
Holding, choking
|
|
Invisible souls within the shearing concrete height.
|
|
|
|
@A Julian Smart
|
|
#
|
|
@T Break of Day
|
|
|
|
Tis true, 'tis day; what though it be?
|
|
O wilt thou therefore rise from me?
|
|
Why should we rise, because 'tis light?
|
|
Did we lie down, because 'twas night?
|
|
Love which in spite of darkness brought us hither,
|
|
Should in despite of light keep us together.
|
|
|
|
Light hath no tongue, but is all eye;
|
|
If it could speak as well as spy,
|
|
This were the worst, that it could say,
|
|
That being well, I fain would stay,
|
|
And that I loved my heart and honour so,
|
|
That I would not from him, that had them, go.
|
|
|
|
Must business thee from hence remove?
|
|
Oh, that's the worst disease of love,
|
|
The poor, the foul, the false, love can
|
|
Admit. but not the busied man.
|
|
He which hath business, and makes love, doth do
|
|
Such wrong, as when a married man doth woo.
|
|
|
|
@A John Donne
|
|
#
|
|
@T The Computation
|
|
|
|
For the first twenty years, since yesterday,
|
|
I scarce believed, thou could'st be gone away,
|
|
For forty more, I fed on favours past,
|
|
And forty on hopes, that thou would'st, they might last.
|
|
Tears drowned one hundred, and sighs blew out two,
|
|
A thousand, I did neither think, nor do,
|
|
Or not divide, all being one thought of you;
|
|
Or in a thousand more, forget that too.
|
|
Yet call not this long life; but think that I
|
|
Am, by being dead, immortal; can ghosts die?
|
|
|
|
@A John Dunne
|
|
#
|
|
@T A Red, Red Rose
|
|
|
|
O, my love's like a red, red rose,
|
|
That's newly sprung in June.
|
|
O, my love's like the melodie,
|
|
That's sweetly play'd in tune.
|
|
|
|
As fair art thou, my bonnie lass,
|
|
So deep in love am I,
|
|
And I will love thee still, my Dear,
|
|
Till a' the seas gang dry.
|
|
|
|
Till a' the seas gang dry, my Dear,
|
|
And the rocks melt wi' the sun!
|
|
O, I will love thee still, my Dear,
|
|
While the sands o' life shall run.
|
|
|
|
And fare thee weel, my only Love,
|
|
And fare thee weel a while!
|
|
And I will come again, my Love,
|
|
Tho' it were ten thousand mile!
|
|
|
|
@A Robert Burns
|
|
#
|
|
@T On Charles II
|
|
|
|
Here lies our sovereign Lord the King,
|
|
Whose word no man relies on,
|
|
Who never said a foolish thing
|
|
Nor ever did a wise one.
|
|
|
|
@A Earl of Rochester
|
|
#
|
|
@T The Four Georges
|
|
|
|
George the First was always reckoned
|
|
Vile - but viler George the Second;
|
|
And what mortal ever heard
|
|
Any good of George the Third?
|
|
When from earth the Fourth descended,
|
|
God be praised, the Georges ended!
|
|
|
|
@A W.S. Landor
|
|
#
|
|
@T Frederick, Prince of Wales
|
|
|
|
Here lies Fred,
|
|
Who was alive, and is dead,
|
|
Had it been his father,
|
|
I had much rather.
|
|
Had it been his brother,
|
|
Still better than another.
|
|
Had it been his sister,
|
|
No one would have missed her.
|
|
Had it been the whole generation,
|
|
Still better for the nation.
|
|
But since 'tis only Fred,
|
|
Who was alive, and is dead,
|
|
There's no more to be said.
|
|
|
|
@A W.M. Thackeray
|
|
#
|
|
@T On an Old Woman
|
|
|
|
Mycilla dyes her locks, 'tis said,
|
|
But 'tis a foul aspersion;
|
|
She buys them black, they therefore need
|
|
No subsequent immersion.
|
|
|
|
@A W. Cowper
|
|
#
|
|
@T An Epitaph on Sir John Vanbrugh (Architect)
|
|
|
|
Under this stone, reader, survey
|
|
Dead Sir John Vanbrugh's house of clay.
|
|
Lie heavy on him, earth! for he
|
|
Laid many heavy loads on thee.
|
|
|
|
@A A. Evans
|
|
#
|
|
@T True Joy in Possession
|
|
|
|
To have a thing is little,
|
|
If you're not allowed to show it,
|
|
And to know a thing is nothing
|
|
Unless others know you know it.
|
|
|
|
@A Lord Neaves
|
|
#
|
|
@T To His Mistress Going To Bed
|
|
|
|
Come, Madam, come, all rest my powers defy,
|
|
Until I labour, I in labour lie.
|
|
The foe oft-times having the foe in sight,
|
|
Is tired with standing though he never fight.
|
|
Off with that girdle, like heaven's zone glistering,
|
|
But a far fairer world encompassing.
|
|
Unpin that spangled breastplate which you wear,
|
|
That th'eyes of busy fools may be stopt there.
|
|
Unlace yourself, for that harmonious chime
|
|
Tells me from you, that now it is bed time.
|
|
Off with that happy busk, which I envy,
|
|
That still can be, and still can stand so nigh.
|
|
Your gown going off, such beauteous state reveals,
|
|
As when from flowry meads the hill's shadow steals.
|
|
@P
|
|
Off with that wiry coronet and show
|
|
The hairy diadem which on you doth grow:
|
|
Now off with those shoes, and then safely tread
|
|
In this love's hallowed temple, this soft bed.
|
|
In such white robes, heaven's angels used to be
|
|
Received by men; thou angel bring'st with thee
|
|
A heaven like Mahomet's Paradise; and though
|
|
Ill spirits walk in white, we easily know,
|
|
By this these angels from an evil sprite,
|
|
Those set our hairs, but these our flesh upright.
|
|
|
|
Licence my roving hands, and let them go,
|
|
Before, behind, between, above, below.
|
|
O my America! my new-found-land,
|
|
My kingdom, safeliest when with one man manned,
|
|
My mine of precious stones, My empery,
|
|
How blest am I in this discovering thee!
|
|
To enter in these bonds, is to be free;
|
|
Then where my hand is set, my seal shall be.
|
|
@P
|
|
Full nakedness! All joys are due to thee,
|
|
As souls unbodied, bodies unclothed must be,
|
|
To taste whole joys. Gems which you women use
|
|
Are like Atlanta's balls, cast in men's views,
|
|
That when a fool's eye lighteth on a gem,
|
|
His earthly soul may covet theirs, not them.
|
|
Like pictures, or like books' gay coverings made
|
|
For lay-men, are all women this arrayed;
|
|
Themselves are mystic books, which only we
|
|
(Whom their imputed grace will dignify)
|
|
Must see revealed. Then since that I may know,
|
|
As liberally, as to a midwife, show
|
|
Thyself: cast all, yea, this white linen hence,
|
|
There is no penance due to innocence.
|
|
|
|
To teach thee, I am naked first; why then
|
|
What needst thou have more covering than a man.
|
|
|
|
@A John Donne
|
|
#
|
|
@T Cheltenham Waters
|
|
|
|
Here lie I and my four daughters,
|
|
Killed by drinking Cheltenham waters.
|
|
Had we but stuck to Epsom salts,
|
|
We wouldn't have been in these here vaults.
|
|
|
|
@A Anonymous
|
|
#
|
|
@T Hypocrisy
|
|
|
|
Hypocrisy will serve as well
|
|
To propagate a church as zeal;
|
|
As persecution and promotion
|
|
Do equally advance devotion:
|
|
So round white stones will serve, they say,
|
|
As well as eggs to make hens lay.
|
|
|
|
@A Samuel Butler
|
|
#
|
|
@T The Microbe
|
|
|
|
The Microbe is so very small
|
|
You cannot make him out at all,
|
|
But many sanguine people hope
|
|
To see him through a microscope.
|
|
His jointed tongue that lies beneath
|
|
A hundred curious rows of teeth;
|
|
His seven tufted tails with lots
|
|
Of lovely pink and purple spots,
|
|
On each of which a pattern stands,
|
|
Composed of forty separate bands;
|
|
His eyebrows of a tender green;
|
|
All of these have never yet been seen -
|
|
But Scientists, who ought to know,
|
|
Assures us that they must be so...
|
|
Oh! let us never, never doubt
|
|
What nobody is sure about!
|
|
|
|
@A Hilaire Belloc
|
|
#
|
|
@T Slug
|
|
|
|
Slugs, soft upon damp carpets of rich food,
|
|
Make sullen love with bubbles and with sighs,
|
|
Silvery flaccid. They consider lewd
|
|
The use of eyes.
|
|
|
|
@A John Pudney
|
|
#
|
|
@T The Doctor Prescribes
|
|
|
|
A lady lately, that was fully sped
|
|
Of all the pleasures of the marriage-bed
|
|
Ask'd a physician, whether were more fit
|
|
For Venus' sports, the morning or the night?
|
|
The good old man made answer, as 'twas meet,
|
|
The morn more wholesome, but the night more sweet.
|
|
Nay then, i'faith, quoth she, since we have leisure,
|
|
We'll to't each morn for health, each night for pleasure.
|
|
|
|
@A Anonymous
|
|
#
|
|
@T On Mary Ann
|
|
|
|
Mary Ann has gone to rest,
|
|
Safe at last on Abraham's breast,
|
|
Which may be nuts for Mary Ann,
|
|
But is certainly rough on Abraham.
|
|
|
|
@A Anonymous
|
|
#
|
|
@T Misfortunes never come Singly
|
|
|
|
Making toast at the fireside,
|
|
Nurse fell in the grate and died;
|
|
And what makes it ten times worse,
|
|
All the toast was burnt with nurse.
|
|
|
|
@A Harry Graham
|
|
#
|
|
@T Tender Heartedness
|
|
|
|
Billy, in one of his nice new sashes,
|
|
Fell in the fire and was burnt to ashes;
|
|
Now, although the room grows chilly,
|
|
I haven't the heart to poke poor Billy.
|
|
|
|
@A Harry Graham
|
|
#
|
|
@T Miss Twye
|
|
|
|
Miss Twye was soaping her breasts in her bath
|
|
When she heard behind her a meaning laugh
|
|
And to her amazement she discovered
|
|
A wicked man in the bathroom cupboard.
|
|
|
|
@A Gavin Ewart
|
|
#
|
|
@T The Old Loony of Lyme
|
|
|
|
There was an old loony of Lyme,
|
|
Whose candour was simply sublime;
|
|
When they asked, 'Are you there?'
|
|
'Yes,' he said, 'but take care,
|
|
For I'm never "all there" at a time.'
|
|
|
|
@A Anonymous
|
|
#
|
|
@T The Young Lady from Wantage
|
|
|
|
There was a young lady from Wantage
|
|
Of whom the town clerk took advantage.
|
|
Said the borough surveyor:
|
|
'Indeed you must pay `er.
|
|
You've totally altered her frontage.'
|
|
|
|
@A Anonymous
|
|
#
|
|
@T The Modern Hiawatha
|
|
|
|
When he killed the Mudjokivis
|
|
Of the skin he made him mittens,
|
|
Made them with the fur side inside,
|
|
Made them with the skin side outside,
|
|
He, to get the warm side inside,
|
|
Put the inside skin side outside;
|
|
He, to get the cold side outside,
|
|
Put the warm side fur side inside.
|
|
That's why he put fur side inside,
|
|
Why he put the skin side outside,
|
|
Why he turned them inside outside.
|
|
|
|
@A Anonymous
|
|
#
|
|
@T Is it a Month
|
|
|
|
Is it a month since I and you
|
|
In the starlight of Glen Dubh
|
|
Stretched beneath a hazel bough
|
|
Kissed from ear and throat to brow,
|
|
Since your fingers, neck, and chin
|
|
Made the bars that fence me in,
|
|
Till Paradise seemed but a wreck
|
|
Near your bosom, brow and neck
|
|
And stars grew wilder, growing wise,
|
|
In the splendour of your eyes!
|
|
Since the weasel wandered near
|
|
Whilst we kissed from ear to ear
|
|
And the wet and withered leaves
|
|
Blew about your cap and sleeves,
|
|
Till the moon sank tired through the ledge
|
|
Of the wet and windy hedge?
|
|
And we took the starry lane
|
|
Back to Dublin town again.
|
|
|
|
@A J. M. Synge
|
|
@A (1871-1909)
|
|
#
|
|
@T The Lark in the Clear Air
|
|
|
|
Dear thoughts are in my mind,
|
|
And my soul soars enchanted,
|
|
As I hear the sweet lark sing
|
|
In the clear air of the day.
|
|
For a tender beaming smile
|
|
To my hope has been granted,
|
|
And tomorrow she shall hear
|
|
All my fond heart would say.
|
|
|
|
I shall tell her all my love,
|
|
All my soul's adoration;
|
|
And I think she will hear me
|
|
And will not say me nay.
|
|
It is this that fills my soul
|
|
With its joyous elation,
|
|
As I hear the sweet lark sing
|
|
In the clear air of the day.
|
|
|
|
@A Samuel Ferguson
|
|
@A (1810-1886)
|
|
#
|
|
@T The Self-Unseeing
|
|
|
|
Here is the ancient floor,
|
|
Footworn and hollowed and thin,
|
|
Here was the former door
|
|
Where the dead feet walked in.
|
|
|
|
She sat here in her chair,
|
|
Smiling into the fire;
|
|
He who played stood there,
|
|
Bowing it higher and higher.
|
|
|
|
Childlike, I danced in a dream;
|
|
Blessings emblazoned that day;
|
|
Everything glowed with a gleam;
|
|
Yet we were looking away!
|
|
|
|
@A Thomas Hardy
|
|
#
|
|
@T Cean Dubh Deelish (Darling Black Head)
|
|
|
|
Put your head, darling, darling, darling,
|
|
Your darling black head my heart above;
|
|
O mouth of honey, with thyme for fragrance,
|
|
Who, with heart in breast, could deny you love?
|
|
|
|
O many and many a young girl for me is pining,
|
|
Letting her locks of gold to the cold wind free,
|
|
For me, the foremost of our gay young fellows;
|
|
But I'd leave a hundred, pure love, for thee!
|
|
|
|
Put your head, darling, darling, darling,
|
|
Your darling black head my heart above;
|
|
O mouth of honey, with thyme for fragrance,
|
|
Who, with heart in breast, could deny you love?
|
|
|
|
@A Samuel Ferguson
|
|
@A (1810-1886)
|
|
#
|
|
@T From 'The Amores'
|
|
|
|
Ring of mine, made to encircle my pretty mistress's finger,
|
|
Valuable only in terms of the giver's love,
|
|
Go, and good welcome! May she receive you with pleasure,
|
|
Slip you over her knuckle there and then.
|
|
May you fit her as well as she fits me, rub snugly
|
|
Around her finger, precisely the right size!
|
|
Lucky ring to be handled by my mistress! I'm developing
|
|
A miserable jealousy of my own gift.
|
|
But suppose I could be the ring, transformed in an instant
|
|
By some famous magician's art -
|
|
Then, when I felt like running my hand down Corinna's
|
|
Dress, and exploring her breasts, I'd work
|
|
Myself off her finger (tight squeeze or not) and by crafty
|
|
Cunning drop into her cleavage. Let's say
|
|
She was writing a private letter - I'd have to seal it,
|
|
@P
|
|
And a dry stone sticks on wax:
|
|
She's moisten me with her tongue. Pure bliss - provided
|
|
I didn't have to endorse any hostile remarks
|
|
Against myself. If she wanted to put me away in her
|
|
Jewel-box, I'd cling tighter, refuse to budge.
|
|
(Don't worry, my sweet, I'd never cause you discomfort,
|
|
or burden
|
|
Your slender finger with an unwelcome weight.)
|
|
Wear me whenever you take a hot shower, don't worry
|
|
If water runs under your gem -
|
|
Though I fancy the sight of you naked would arise my
|
|
passions, leave me
|
|
A ring of visibly virile parts...
|
|
Pure wishful thinking! On your way, then, little present,
|
|
And show her you come with all my love.
|
|
|
|
@A Ovid
|
|
@A (BC 43-AD 17)
|
|
#
|
|
@T After an Interval
|
|
|
|
After an interval, reading, here in the midnight,
|
|
With the great stars looking on -- all the starts of Orion looking,
|
|
And the silent Pleiades -- and the duo looking of Saturn and ruddy Mars;
|
|
Pondering, reading my own songs, after a long interval,
|
|
(sorrow and death familiar now)
|
|
Ere Closing the book, what pride! what joy! to find them
|
|
Standing so well the test of death and night,
|
|
And the duo of Saturn and Mars!
|
|
|
|
@A Walt Whitman
|
|
#
|
|
@T A Last Poem
|
|
|
|
A last poem, and a last, and yet another --
|
|
O, when can I give over?
|
|
Must I drive the pen until the blood bursts from my nails
|
|
And my breath fails and I shake with fever?
|
|
Shall I never hear her whisper softly,
|
|
"But this is one written by you only,
|
|
And for me only; therefore, love, have done"?
|
|
|
|
@A Robert Graves
|
|
#
|
|
I have no pain, dear Mother, now,
|
|
But, oh, I am so dry;
|
|
So connect me to a brewery,
|
|
And leave me there to die.
|
|
|
|
@A Anonymous
|
|
#
|
|
@T Found Poem (from the Hound of the Baskervilles)
|
|
|
|
I stooped, panting, and pressed my pistol
|
|
To the dreaful, shimmering head,
|
|
But it was useless to press the trigger,
|
|
The giant hound was dead.
|
|
|
|
@A A. Conan Doyle
|
|
#
|
|
@T Passing through the Carron Iron Works
|
|
|
|
We cam na here to view your warks,
|
|
In hopes to be mair wise,
|
|
But only, lest we gang to Hell,
|
|
It may be nae surprise.
|
|
|
|
@A Robert Burns
|
|
#
|
|
@T Imitation of Pope: A Compliment to the Ladies
|
|
|
|
Wondrous the Gods, more wondrous are the Men,
|
|
More Wondrous Wondrous still the Cock & Hen,
|
|
More Wondrous still the Table, Stool & Chair;
|
|
But Ah! More wondrous still the Charming Fair.
|
|
|
|
@A William Blake
|
|
#
|
|
@T Upon the Nipples of Julia's Breast
|
|
|
|
Have ye beheld (with much delight)
|
|
A red rose peeping through a white?
|
|
Or else a cherry (double grac'd)
|
|
Within a lily? Centre plac'd?
|
|
Or ever mark'd the pretty beam,
|
|
A strawberry shows half drown'd in cream?
|
|
Or seen rich rubies blushing through
|
|
A pure smooth pearl, and orient too?
|
|
So like to this, nay all the rest,
|
|
Is each neat niplet of her breast.
|
|
|
|
@A Robert Herrick
|
|
#
|
|
@T Life
|
|
|
|
When I consider life, 'tis all a cheat;
|
|
Yet, fooled with hope, men favour the deceit;
|
|
Trust on, and think tomorrow will repay:
|
|
Tomorrow's falser than the former day;
|
|
Lies worse; and while it says, we shall be blessed
|
|
With some new joys, cut off what we possessed.
|
|
Strange cozenage! None would live past years again,
|
|
Yet all hope pleasure in what yet remain;
|
|
And from the dregs of life think to receive
|
|
What the first sprightly running could not give.
|
|
|
|
@A John Dryden
|
|
#
|
|
@T To a Yellow Hammer
|
|
|
|
Poor yellow-breasted little thing,
|
|
I would thou had'st been on the wing,
|
|
'Ere 'twas my fate on thee to bring
|
|
Thy death so soon;
|
|
Thou'lt never more be heard to sing
|
|
In joyful tune.
|
|
|
|
Too late I saw thee 'mongst the dust,
|
|
Gambling so gay in simple trust,
|
|
I knew that with my wheel I must
|
|
Thy life destroy;
|
|
How cruel quick my rubber crushed
|
|
Thee in thy joy.
|
|
|
|
@A Anonymous
|
|
#
|
|
@T Wrecked
|
|
|
|
A girl, a wheel,
|
|
A shock, a squeal,
|
|
A header, a thump,
|
|
A girl in a lump,
|
|
A bloomer all torn,
|
|
A maiden forlorn.
|
|
|
|
@A Annymous
|
|
#
|
|
@T Gather ye Rosebuds
|
|
|
|
Gather ye rosebuds while ye may,
|
|
Old Time is still a-flying;
|
|
And this same flower that smiles today
|
|
Tomorrow will be dying.
|
|
|
|
The glorious lamp of heaven, the Sun,
|
|
The higher he's a-getting,
|
|
The sooner will his race be run,
|
|
And nearer he's to setting.
|
|
|
|
That age is best, which is the first,
|
|
When youth and blood are warmer
|
|
But being spent, the worse, and worst
|
|
Times still succeed the former.
|
|
|
|
Then be not coy, but use your time,
|
|
And while you may, go marry;
|
|
For having lost but once your prime,
|
|
You may for ever tarry.
|
|
|
|
@A Robert Herrick
|
|
#
|
|
@T My Love's a Match
|
|
|
|
My love's a match in beauty
|
|
For every flower that blows,
|
|
Her little ear's a lily,
|
|
Her velvet cheek a rose;
|
|
Her locks like gilly gowans
|
|
Hang golden to her knww.
|
|
If I were King of Ireland,
|
|
My Queen she'd surely be.
|
|
|
|
Her eyes are fond forget-me-nots,
|
|
And no such snow is seen
|
|
Upon the heaving hawthorn bush
|
|
As crests her bodice green.
|
|
The thrushes when she's talking
|
|
Sit listening on the tree.
|
|
If I were King of Ireland,
|
|
My Queen she'd surely be.
|
|
|
|
@A Alfred P. Graves
|
|
#
|
|
@T In a Gondola
|
|
|
|
The moth's kiss, first!
|
|
Kiss me as if you made believe
|
|
You were not sure, this eve,
|
|
How my face, your flower, had pursed
|
|
Its petals up; so, here and there
|
|
You brush it, till I grow aware
|
|
Who wants me, and wide ope I burst.
|
|
|
|
The bee's kiss, now!
|
|
Kiss me as if you enter'd gay
|
|
My heart at some noonday,
|
|
A bud that dares not disallow
|
|
The claim, so all is render'd up,
|
|
And passively its shatter'd cup
|
|
Over your head to sleep I bow.
|
|
|
|
@A Robert Browning
|
|
#
|
|
@T To his Coy Mistress
|
|
|
|
Had we but worlds enough, and time,
|
|
This coyness, Lady, were no crime.
|
|
We would sit down and think which way
|
|
To walk and pass our long love's day.
|
|
Thou by the Indian Ganges' side
|
|
Shouldst rubies find: I by the tide
|
|
Of Humber would complain. I would
|
|
Love you ten years before the Flood,
|
|
And you should, if you please, refuse
|
|
Till the conversion of the Jews.
|
|
My vegetable love should grow
|
|
Vaster than empires, and more slow;
|
|
An hundred years should go to praise
|
|
Thine eyes and on thy forehead gaze;
|
|
Two hundred to adore each breast,
|
|
But thirty thousand to the rest;
|
|
An age at least to every part,
|
|
And the last age should show your heart.
|
|
For, Lady, you deserve this state,
|
|
Nor would I love at a lower rate.
|
|
@P
|
|
But at my back I always hear
|
|
Time's winged chariot hurrying near;
|
|
And yonder all before us lie
|
|
Deserts of vast eternity.
|
|
Thy beauty shall no more be found,
|
|
Nor, in thy marble vault, shall sound
|
|
My echoing song: then worms shall try
|
|
That long preserved virginity,
|
|
And your quaint honour turn to dust,
|
|
And into ashes all my lust:
|
|
The grave's a fine and private place,
|
|
But none, I think, do there embrace.
|
|
@P
|
|
Now therefore, while the youthful hue
|
|
Sits on thy skin like morning dew,
|
|
And while thy willing soul transpires
|
|
At every port with instant fires,
|
|
Now let us sport us while we may,
|
|
And now, like amorous birds of prey,
|
|
Rather at once our time devour
|
|
Than languish in his slow-chapt power.
|
|
Let us roll all our strength and all
|
|
Our sweetness up into one ball,
|
|
And tear our pleasures with rough strife
|
|
Through the iron gates of life:
|
|
Thus, though we cannot make our sun
|
|
Stand still, yet we will make him run.
|
|
|
|
@A Andrew Marvell
|
|
#
|
|
@T Destiny
|
|
|
|
Somewhere there waiteth in this world of ours
|
|
For one lone soul another lonely soul,
|
|
Each choosing each through all the weary hours
|
|
And meeting strangely at one sudden goal.
|
|
Then blend they, like green leaves with golden flowers,
|
|
Into one beautiful and perfect whole;
|
|
And life's long night is ended, and the way
|
|
Lies open onward to eternal day.
|
|
|
|
@A Edwin Arnold
|
|
#
|
|
@T A Stolen Kiss
|
|
|
|
Now gentle sleep hath closed up those eyes
|
|
Which, waking, kept my boldest thoughts in awe;
|
|
And free access unto that sweet lip lies,
|
|
From whence I long the rosy breath to draw.
|
|
|
|
Methinks no wrong it were, if I should steal
|
|
From those two melting rubies one poor kiss;
|
|
None sees the theft that would the theft reveal,
|
|
Nor rob I her of aught that she can miss;
|
|
|
|
Nay, should I twenty kisses take away,
|
|
There would be little sign I would do so;
|
|
Why then should I this robbery delay?
|
|
O, she may wake, and therewith angry grow!
|
|
|
|
Well, if she do, I'll back restore that one,
|
|
And twenty hundred thousand more for loan.
|
|
|
|
@A George Wither
|
|
#
|
|
@T How do I love thee?
|
|
|
|
How do I love thee? Let me count the ways.
|
|
I love thee to the depth and breadth and height
|
|
My soul can reach, when feeling out of sight
|
|
For the ends of Being and ideal Grace.
|
|
I love thee to the level of every day's
|
|
Most quiet need, by sun and candlelight.
|
|
I love thee freely, as men strive for Right;
|
|
I love thee purely, as they turn from Praise.
|
|
I love thee with the passion put to use
|
|
In my old griefs, and with my childhood's faith.
|
|
I love thee with a love I seemed to lose
|
|
With my lost saints, -- I love thee with the breath,
|
|
Smiles, tears, of all my life! -- and, if God choose,
|
|
I shall but love thee better after death.
|
|
|
|
@A Elizabeth Barrett Browning
|
|
#
|
|
@T Old Man
|
|
|
|
Old Man, or Lad's-love, -- in the name there's nothing
|
|
To one that knows not Lad's-love, or Old Man,
|
|
The hoar-green feathery herb, almost a tree,
|
|
Growing with rosemary and lavendar.
|
|
Even to one that knows it well, the names
|
|
Hald decorate, half perplex, the thing it is:
|
|
At least, what that is clings not to the names
|
|
In spite of time. And yet I like the names.
|
|
|
|
The herb itself I like not, but for certain
|
|
I love it, as some day the child will love it
|
|
Who plucks a feather from the door-side bush
|
|
Whenever she goes in or out of the house.
|
|
Often she waits there, snipping the tips and shrivelling
|
|
The shreds at last on to the path, perhaps
|
|
@P
|
|
Thinking, perhaps of nothing, till she sniffs
|
|
Her finger and runs off. The bush is still
|
|
But half as tall as she, though it is as old;
|
|
So well she clips it. Not a word she says;
|
|
And I can only wonder hwo much hereafter
|
|
She will remember, with that bitter scent,
|
|
Of garden rows, and ancient damson-trees
|
|
Topping a hedge, a bent path to a door,
|
|
A low thick bush beside the door, and me
|
|
Forbidding her to pick.
|
|
|
|
As for myself,
|
|
Where first I met the bitter scent is lost.
|
|
I, too, often shrivel the grey shreds,
|
|
Sniff them and think and sniff again and try
|
|
Once more to think what it is I am remembering,
|
|
Always in vain. I cannot like the scent,
|
|
Yet I would rather give up others more sweet,
|
|
With no meaning, that this bitter one.
|
|
@P
|
|
I have mislaid the key. I sniff the spray
|
|
And think of nothing; I see and I hear nothing;
|
|
Yet seem, too, to be listening, lying in wait
|
|
For what I should, yet never can, remember:
|
|
No garden appears, no path, no hoar-green bush
|
|
Of Lad's-love, or Old Man, no child beside,
|
|
Neither father nor mother, nor any playmate;
|
|
Only an avenue, dark and nameless, without end.
|
|
|
|
@A Edward Thomas
|
|
#
|
|
@T The Manor Farm
|
|
|
|
The rock-like mud unfroze a little and rills
|
|
Ran and sparkled down each side of the road
|
|
Under the catkins wagging in the hedge.
|
|
But earth would have her sleep out, spite of the sun;
|
|
Nor did I value that thin gilding beam
|
|
More than a pretty February thing
|
|
Till I came down to the old Manor Farm,
|
|
And church and yet-tree opposite, in age
|
|
Its equal and in size. Small church, great yew,
|
|
And farmhouse slept in a Sunday silentness.
|
|
The air raised not a straw. The steep farm roof,
|
|
With tiles duskily glowing, entertained
|
|
The midday sun; and up and down the roof
|
|
White pigeons nestled. There was no sound but one.
|
|
Three cart-horses were looking over a gate
|
|
Drowsily through their forelocks, swiching their tails
|
|
Against a fly, a solitary fly.
|
|
@P
|
|
The Winter's cheek flushed as if he had drained
|
|
Spring, Summer, and Autumn at a draught
|
|
And smiled quietly. But 'twas not Winter --
|
|
Rather a season of bliss unchangeable
|
|
Awakened from farm and church where it had lain
|
|
Safe under tile and thatch for ages since
|
|
This England, Old already, was called Merry.
|
|
|
|
@A Edward Thomas
|
|
#
|
|
@T The Unknown Bird
|
|
|
|
Three lovely notes he whistled, too soft to be heard
|
|
If others sang; but others never sang
|
|
In the great beech-wood all that May and June.
|
|
No one saw him: I alone could hear him
|
|
Though many listened. Was it but four years
|
|
Ago? or five? He never came again.
|
|
Oftenest when I heard him I was alone,
|
|
Nor could I ever make another hear.
|
|
La-la-la! he called, seeming far-off --
|
|
As if a cock crowed past the edge of the world,
|
|
As if the bird or I were in a dream.
|
|
Yet that he travelled through the trees and soometimes
|
|
Neared me, was plain, though somehow distant still
|
|
He sounded. All the proof is -- I told men
|
|
What I had heard.
|
|
@P
|
|
I never knew a voice,
|
|
Man, beast, or bird, better than this. I told
|
|
The naturalists; but neither had they heard
|
|
Anything like the notes that did so haunt me
|
|
I had them clear by heart and have them still.
|
|
Four years, or five, have made no difference. Then
|
|
As now that La-la-la! was bodiless sweet:
|
|
Sad more than joyful it was, if I must say
|
|
'Twas sad only with joy too, too far off
|
|
For me to taste it. But I cannot tell
|
|
If truly never anything but fair
|
|
The days were when he sang, as now they seem.
|
|
This surely I know, that I who listened then,
|
|
Happy sometimes, sometimes suffering
|
|
A heavy body and a heavy heart,
|
|
Now straightaway, if I think of it, become
|
|
Light as that bird wandering beyond my shore.
|
|
|
|
@A Edward Thomas
|
|
#
|
|
@T First known when lost
|
|
|
|
I never had noticed it until
|
|
'Twas gone, -- the narrow copse
|
|
Where now the woodman lops
|
|
The last of the willows with his bill.
|
|
|
|
It was not more than a hedge o'ergrown.
|
|
One meadow's breadth away
|
|
I passed it day by day.
|
|
Now the soil is bare as a bone,
|
|
|
|
And black betwixt two meadows green,
|
|
Though fresh-cut faggot ends
|
|
Of hazel make some amends
|
|
With a gleam as if flowers they had been.
|
|
|
|
Strange it could have hidden so near!
|
|
And now I see as I look
|
|
That the small winding brook,
|
|
A tributary's tributary rises there.
|
|
|
|
@A Edward Thomas
|
|
#
|
|
@T The Owl
|
|
|
|
Downhill I came, hungry, and yet not starved;
|
|
Cold, yet had heat within me that was proof
|
|
Against the North wind: tired, yet so that rest
|
|
Had seemed the sweetest thing under a roof.
|
|
|
|
Then at the inn I had food, fire, and rest,
|
|
Knowing how hungry, cold and tired was I.
|
|
All of the night was quite barred out except
|
|
An owl's cry, a most melancholy cry
|
|
|
|
Shaken out long and clear upon the hill,
|
|
No merry note, nor cause of merriment,
|
|
But one telling me plain what I escaped
|
|
And others could not, that night, as in I went.
|
|
|
|
And salted was my food, and my repose,
|
|
Salted and sobered, too, by the bird's voice
|
|
Speaking for all who lay under the stars,
|
|
Soldiers and poor, unable to rejoice.
|
|
|
|
@A Edward Thomas
|
|
#
|
|
@T But these things also
|
|
|
|
But these things also are Spring's --
|
|
On banks by the roadside the grass
|
|
Long-dead that is greyer now
|
|
Than all the Winter it was;
|
|
|
|
The shell of a little snail bleached
|
|
In the grass; chip of flint, and mite
|
|
Of chalk; and the small bird's dung
|
|
In splashes of purest white:
|
|
|
|
All the white things a man mistakes
|
|
For earliest violets
|
|
Who seeks through Winter's ruins
|
|
Something to pay Winter's debts,
|
|
|
|
While the North blows, and starling flocks
|
|
By chattering on and on
|
|
Keeep their spirits up in the mist,
|
|
And Spring's here, Winter's not gone.
|
|
|
|
@A Edward Thomas
|
|
#
|
|
@T The New House
|
|
|
|
Now first, as I shut the door,
|
|
I was alone
|
|
In the new house; and the wind
|
|
Began to moan.
|
|
|
|
Old at once was the house,
|
|
And I was old;
|
|
My ears were teased with the dread
|
|
Of what was foretold,
|
|
|
|
Nights of storm, days of mist, without end;
|
|
Sad days when the sun
|
|
Shone in vain: old griefs, and griefs
|
|
Not yet begun.
|
|
|
|
All was foretold me; naught
|
|
Could I foresee;
|
|
But I learnt how the wind would sound
|
|
After these things should be.
|
|
|
|
@A Edward Thomas
|
|
#
|
|
@T Lovers
|
|
|
|
The two men in the road were taken aback.
|
|
The lovers came out shading their eyes from the sun,
|
|
And never was white so white, or black so black,
|
|
As her cheeks and hair. 'There are more things than one
|
|
A man might turn into a wood for, Jack,'
|
|
Said George; Jack whispered: 'He has not got a gun.
|
|
It's a bit too much of a good thing, I say.
|
|
They are going the other road, look. And see her run.' --
|
|
She ran -- 'What a thing it is, this picking may.'
|
|
|
|
@A Edward Thomas
|
|
#
|
|
@T Melancholy
|
|
|
|
The rain and wind, the rain and wind, raved endlessly.
|
|
On me the Summer storm, and fever, and melancholy
|
|
Wrought magic, so that if I feared the solitude
|
|
Far more I feared all company: too sharp, too rude,
|
|
Had been the wisest or the dearest human voice.
|
|
What I desired I knew not, but whate'er my choice
|
|
Vain it must be, I knew. Yet naught did my despair
|
|
But sweeten the strange sweetness, while through the wild air
|
|
All day long I heard a distant cuckoo calling
|
|
And, soft as dulcimers, sounds of near water falling,
|
|
And, softer, and remote as if in history,
|
|
Rumours of what had touched my friends, my foes, or me.
|
|
|
|
@A Edward Thomas
|
|
#
|
|
@T The Glory
|
|
|
|
The glory of the beauty of the morning, --
|
|
The cuckoo crying over the untouched dew;
|
|
The blackbird that has found it, and the dove
|
|
That tempts me on to something sweeter than love;
|
|
White clouds ranged even and fair as new-mown hay;
|
|
The heat, the stir, the sublime vancancy
|
|
Of sky meadow and forest and my own heart: --
|
|
The glory invites me, yet it leaves me scorning
|
|
All I can ever do, all I can be,
|
|
Beside the lovely of motion, shape, and hue,
|
|
The happiness I fancy fit to dwell
|
|
In beauty's presence. Shall I now this day
|
|
@P
|
|
Begin to seek as far as heaven, as hell,
|
|
Wisdom or strength to match this beauty, start
|
|
And tread the pale dust pitted with small dark drops,
|
|
In hope to find whatever it is I seek,
|
|
Hearkening to short-lived happy-seeming things
|
|
That we know naught of, in the hazel copse?
|
|
Or must I be content with discontent
|
|
As larks and swallows are perhaps with wings?
|
|
And shall I ask at the day's end once more
|
|
What beauty is, and what I can have meant
|
|
By happiness? And shall I let all go,
|
|
Glad, weary, or both? Or shall I perhaps know
|
|
That I was happy oft and oft before,
|
|
Awhile forgetting how I am fast pent,
|
|
How dreary-swift, with naught to travel to,
|
|
Is Time? I cannot bite the day to the core.
|
|
|
|
@A Edward Thomas
|
|
#
|
|
@T The Brook
|
|
|
|
Seated by a brook, watching a child
|
|
Chiefly that paddled, I was this beguiled.
|
|
Mellow the blackbird sang and sharp the thrush
|
|
Not far off in the oak and hazel brush,
|
|
Unseen. There was a scent like honeycomb
|
|
From mugwort dull. And down upon the dome
|
|
Of the stone the card-horse kicks against so oft
|
|
A butterfly alighted. From aloft
|
|
He took the heat of the sun, and from below,
|
|
On the hot stone he perched contented so,
|
|
As if never a cart would pass again
|
|
That way; as if I were the last of men
|
|
And he the first of insects to have earth
|
|
And sun together and to know their worth.
|
|
@P
|
|
I was divided between him and the gleam,
|
|
The motion, and the voices, of the stream,
|
|
The waters running frizzled over gravel,
|
|
Thaat never vanish and for ever travel.
|
|
A grey flycatcher silent on a fence
|
|
And I sat as if we had been there since
|
|
The horseman and the horse lying beneath
|
|
The fir-tree-covered barrow on the heath,
|
|
The horseman and the horse with silver shoes,
|
|
Galloped the downs last. All that I could lose
|
|
I lost. And then the child's voice raised the dead.
|
|
'No one's been here before' was what she said
|
|
And what I felt, yet never should have found
|
|
A word for, while I gathered sight and sound.
|
|
|
|
@A Edward Thomas
|
|
#
|
|
@T This is no case of petty right or wrong
|
|
|
|
This is no case of petty right or wrong
|
|
That politicians or philosphers
|
|
Can judge. I hate not Germans, nor grow hot
|
|
With love of Englishmen, to please newspapers.
|
|
Beside my hate for one fat patriot
|
|
My hatred of the Kaiser is love true :--
|
|
A kind of god he is, banging a gong.
|
|
But I have not to choose between the two,
|
|
Or between justice and injustice. Dinned
|
|
With war and argument I read no more
|
|
Than in the storm smoking along the wind
|
|
Athwart the wood. Two witches' cauldrons roar.
|
|
@P
|
|
From one the weather shall rise clear and gay;
|
|
Out of the other an England beautiful
|
|
And like her mother that died yesterday.
|
|
Little I know or care if, being dull,
|
|
I shall miss something that historians
|
|
Can rake out of the ashes when perchance
|
|
The phoenix broods serene above their ken.
|
|
But with the best and meanest Englishmen
|
|
I am one in crying, God save England, lest
|
|
We lose what never slaves and cattle blessed.
|
|
The ages made here that made us from the dust:
|
|
She is all we know and live by, and we trust
|
|
She is good and must endure, loving her so:
|
|
And as we love ourselves we hate her foe.
|
|
|
|
@A Edward Thomas
|
|
#
|
|
@T Helen
|
|
|
|
And you, Helen, what should I give you?
|
|
So many things I would give you
|
|
Had I an infinite great store
|
|
Offered me and I stood before
|
|
To choose. I would give you youth,
|
|
All kinds of lovelines and truth,
|
|
A clear eye as good as mine,
|
|
Lands, waters, flowers, wine,
|
|
As many children as your heart
|
|
Might wish for, a far better art
|
|
Than mine can be, all you have lost
|
|
Upon the travelling waters tossed,
|
|
Or given to me. If I could choose
|
|
Freely in that great treasure-house
|
|
Anything from any shelf,
|
|
I would give you back yourself,
|
|
And power to discriminate
|
|
What you want and want it not too late,
|
|
Many fair days free from care
|
|
And heart to enjoy both foul and fair,
|
|
And myself, too, if I could find
|
|
Where it lay hidden and it proved kind.
|
|
|
|
@A Edward Thomas
|
|
#
|
|
@T Bob's Lane
|
|
|
|
Women he liked, did shovel-bearded Bob,
|
|
Old Farmer Hayward of the Heath, but he
|
|
Loved horses. He himself was like a cob,
|
|
And leather-coloured. Also he loved a tree.
|
|
|
|
For the life in them he loved most living things,
|
|
But a tree chiefly. All along the lane
|
|
He planted elms where now the stormcock sings
|
|
That travellers hear from the slow-climbing train.
|
|
|
|
Till then the track had never had a name
|
|
For all its thicket and the nightingales
|
|
That should have earned it. No one was to blame.
|
|
To name a thing beloved man sometimes fails.
|
|
|
|
Many years since, Bob Hayward died, and now
|
|
None passes there because the mist and the rain
|
|
Out of the elms have turned the lane to slough
|
|
And gloom, the name alone survives, Bob's Lane.
|
|
|
|
@A Edward Thomas
|
|
#
|
|
@T The Poetry of Dress
|
|
|
|
A sweet disorder in the dress
|
|
Kindles in clothes a wantonness :--
|
|
A lawn about the shoulders thrown
|
|
Into a fine distraction, --
|
|
An erring lace, which here and there
|
|
Enthrals the crimson stomacher --
|
|
A cuff neglectful, and thereby
|
|
Ribbands to flow confusedly, --
|
|
A winning wave, deserving note,
|
|
In the tempestuous petticoat, --
|
|
A careless shoe-string, in whose tie
|
|
I see a wild civility, --
|
|
Do more bewitch me, than when art
|
|
Is too precise in evry part.
|
|
|
|
@A R. Herrick
|
|
#
|
|
@T The Poetry of Dress
|
|
|
|
When as in silks my Julia goes
|
|
Then, then (methinks) how sweetly flows
|
|
That liquefaction of her clothes.
|
|
|
|
Next, when I cast mine eyes and see
|
|
That brave vibration each way free;
|
|
O how that glittering taketh me!
|
|
|
|
@A R. Herrick
|
|
#
|
|
My Love in her attire doth show her wit,
|
|
It doth so well become her:
|
|
For every season she hath dressings fit,
|
|
For Winter, Spring and Summer.
|
|
No beauty she doth miss
|
|
When all her robes are on:
|
|
But Beauty's self she is
|
|
When all her robes are gone.
|
|
|
|
@A Anonymous
|
|
#
|
|
@T On a Girdle
|
|
|
|
That which her slender waist confined
|
|
Shall now my joyful temples bind:
|
|
No monarch but would give his crown
|
|
His arms might do what this has done.
|
|
|
|
It was my Heaven's extremest sphere,
|
|
The pale which held that lovely deer:
|
|
My joy, my grief, my hope, my love
|
|
Did all within this circle move.
|
|
|
|
A narrow compass! and yet there
|
|
Dwelt all that's good, and all that's fair:
|
|
Give me but what this ribband bound,
|
|
Take all the rest the Sun goes round.
|
|
|
|
@A E. Waller
|
|
#
|
|
@T The Lost Love
|
|
|
|
She dwelt among the untrodden ways
|
|
Beside the springs of Dove;
|
|
A maid whom there were none to praise,
|
|
And very few to love:
|
|
|
|
A violet by a mossy stone
|
|
Half hidden from the eye!
|
|
-- Fair as a star, when only one
|
|
Is shining in the sky.
|
|
|
|
She lived unknown, and few could know
|
|
When Lucy ceased to be;
|
|
But she is in her grave, and oh,
|
|
The difference to me!
|
|
|
|
@A W. Wordsworth
|
|
#
|
|
I strove with none, for none was worth my strife;
|
|
Nature I loved, and next to Nature, Art;
|
|
I warmed both hands before the fire of life
|
|
It sinks, and I am ready to depart.
|
|
|
|
@A W. S. Landor
|
|
#
|
|
@T The Miller's Daughter
|
|
|
|
It is the miller's daughter,
|
|
And she is grown so dear, so dear,
|
|
That I would be the jewel
|
|
That trembles in her ear:
|
|
For his in ringlets day and night,
|
|
I'd touch her neck so warm and white.
|
|
|
|
And I would be the girdle
|
|
About her dainty waist,
|
|
And her heart would beat against me
|
|
In sorrow and in rest:
|
|
And I should know if it beat right,
|
|
I'd clasp it round so close and tight.
|
|
|
|
And I would be the necklace,
|
|
And all day long to fall and rise
|
|
Upon her balmy bosom,
|
|
With her laughter or her sighs,
|
|
And I would lie so light, so light,
|
|
I scarce should be unclasp'd at night.
|
|
|
|
@A Lord Tennyson
|
|
#
|
|
@T Sea-fever
|
|
|
|
I must down to the seas again, to the lonely sea and the sky,
|
|
And all I ask is a tall ship and a star to steer her by,
|
|
And the wheel's kick and the wind's song and the white sail's shaking,
|
|
And a grey mist on the sea's face and a grey dawn breaking.
|
|
|
|
I must down to the seas again, for the call of the running tide
|
|
Is a wild call and a clear call that may not be denied;
|
|
And all I ask is a windy day with the white clouds flying,
|
|
And the flung spray and the blown spume, and the sea-gulls crying.
|
|
|
|
I must down to the seas again, to the vagrant gypsy life,
|
|
To the gull's way and the whale's way where the wind's like a whetted knife;
|
|
And all I ask is a merry yarn from a laughing fellow-rover,
|
|
And a quiet sleep and a sweet dream when the long trick's over.
|
|
|
|
@A John Masefield
|
|
#
|
|
@T The Drum
|
|
|
|
I hate that drum's discordant sound,
|
|
Parading round, and round, and round:
|
|
To thoughtless youth it pleasure yields,
|
|
And lures from cities and from fields,
|
|
To sell their liberty for charms
|
|
Of tawdry lace, and glittering arms;
|
|
And when Ambition's voice commands,
|
|
To march, and fight, and fall, in foreign lands.
|
|
|
|
I hate that drum's discordant sound,
|
|
Parading round, and round, and round:
|
|
To me it talks of ravag'd plains,
|
|
And burning towns, and ruin'd swains,
|
|
And mangled limbs, and dying groans,
|
|
And widows' tears, and orphans' moans;
|
|
And all that Misery's hand bestows,
|
|
To fill the catalogue of human woes.
|
|
|
|
@A John Scott
|
|
@A (1730-83)
|
|
#
|
|
@T Everlasting Mercy
|
|
|
|
Near Bullen Bank, on Gloucester road
|
|
Thy everlasting mercy showed
|
|
The ploughman patient on the hill, forever there,
|
|
Forever still
|
|
Ploughing the hill with steady yoke,
|
|
The pine trees lightning-struck and broke.
|
|
|
|
I've marked the May Hill ploughman stay
|
|
There on his hill day after day
|
|
Driving his team against the sky
|
|
While men and women live and die
|
|
And now and then he seems to stoop
|
|
To clear the coulter with the scoop
|
|
Or touch an ox, to haw or gee,
|
|
While Severn's stream goes out to sea.
|
|
@P
|
|
Near Bullen Bank, on Gloucester road
|
|
Thy everlasting mercy showed
|
|
The ploughman patient on the hill, forever there,
|
|
Forever still
|
|
The sea with all her ships and sails,
|
|
And that great smokey port in Wales,
|
|
And Gloucester tower bright in the sun,
|
|
All know that patient wandering one.
|
|
|
|
@A John Masefield
|
|
|
|
Johnny Coppin's haunting arrangement of this available from
|
|
Red Sky Records, 'English Morning' RSKC 107
|
|
#
|
|
@T Dawn
|
|
(From the train between Bologna and Milan, Second Class)
|
|
|
|
Opposite me two Germans snore and sweat.
|
|
Through sullen swirling gloom we jolt and roar.
|
|
We have been here for ever: even yet
|
|
A dim watch tells two hours, two aeons, more.
|
|
The windows are tight-shut and slimy-wet
|
|
With a night's foetor. There are two hours more;
|
|
Two hours to dawn and Milan; two hours yet.
|
|
Opposite me two Germans sweat and snore...
|
|
|
|
One of them wakes, and spits, and sleeps again.
|
|
The darkness shivers. A wan light through the rain
|
|
Strikes on our faces, drawn and white. Somewhere
|
|
A new day sprawls; and, inside, the foul air
|
|
Is chill, and damp, and fouler than before...
|
|
Opposite me two Germans sweat and snore.
|
|
|
|
@A Rupert Brooke
|
|
#
|
|
@T The Voice
|
|
|
|
Safe in the magic of my woods
|
|
I lay, and watched the dying light.
|
|
Faint in the pale high solitudes,
|
|
And washed with rain and veiled by night,
|
|
|
|
Silver and blue and green were showing.
|
|
And the dark woods grew darker still;
|
|
And birds were hushed; and peace was growing;
|
|
And quietness crept up the hill;
|
|
|
|
And no wind was blowing...
|
|
|
|
And I knew
|
|
That this was the hour of knowing,
|
|
And the night and the woods and you
|
|
Were one together, and I should find
|
|
Soon in the silence the hidden key
|
|
Of all that had hurt and puzzled me --
|
|
Why you were you, and the night was kind,
|
|
And the woods were part of the heart of me.
|
|
@P
|
|
And there I waited breathlessly,
|
|
Alone; and slowly the holy three,
|
|
The three that I loved, together grew
|
|
One, in the hour of knowing,
|
|
Night, and the woods, and you --
|
|
|
|
And suddenly
|
|
There was an uproar in my woods,
|
|
The noise of a fool in mock distress,
|
|
Crashing and laughing and blindly going,
|
|
Of ignorant feet and a swishing dress,
|
|
And a Voice profaning the solitudes.
|
|
@P
|
|
The spell was broken, the key denied me,
|
|
And at length your flat clear voice beside me
|
|
Mouthed cheerful clear flat platitudes.
|
|
|
|
You came and quacked beside me in the wood.
|
|
You said, 'The view from here is very good!'
|
|
You said, 'It's nice to be alone a bit!'
|
|
And, 'How the days are drawing out!' you said.
|
|
You said, 'The sunset's pretty, isn't it?'
|
|
|
|
* * *
|
|
|
|
By God! I wish -- I wish that you were dead!
|
|
|
|
@A Rupert Brooke
|
|
#
|
|
@T On a Tired Housewife
|
|
|
|
Here lies a poor woman who was always tired,
|
|
She lived in a house where help wasn't hired;
|
|
Her last words on earth were: 'Dear friends, I am going
|
|
To where there's no cooking, or washing, or sewing,
|
|
For everything there is exact to my wishes,
|
|
For where they don't eat there's no washing of dishes.
|
|
I'll be where loud anthems will always be ringing,
|
|
But having no voice I'll be quit of the singing.
|
|
Don't mourn for me now, don't mourn for me never,
|
|
I am going to do nothing for ever and ever.'
|
|
|
|
@A Anonymous
|
|
#
|
|
@T On Johnny Cole
|
|
|
|
Here lies Johnny Cole
|
|
Who died, on my soul,
|
|
After eating a plentiful dinner;
|
|
While chewing his crust,
|
|
He was turned into dust,
|
|
With his crimes undigested - poor sinner.
|
|
|
|
@A Anonymous
|
|
#
|
|
@T On a Wag in Mauchline
|
|
|
|
Lament him, Mauchline husbands a',
|
|
He often did assist ye;
|
|
For had ye staid whole weeks awa',
|
|
Your wives they ne'er had missed ye.
|
|
|
|
Ye Mauchline bairns, as on ye pass,
|
|
To schools in bands thegither,
|
|
Oh, tread ye lightly on his grass,
|
|
Perhaps he was your father.
|
|
|
|
@A Robert Burns
|
|
#
|
|
@T Willie's Epitaph
|
|
|
|
Little Willie from his mirror
|
|
Licked the mercury right off,
|
|
Thinking, in his childish error,
|
|
It would cure the whooping cough.
|
|
At the funeral his mother
|
|
Smartly turned to Mrs Brown:
|
|
''Twas a chilly day for Willie
|
|
When the mercury went down.'
|
|
|
|
@A Anonymous
|
|
#
|
|
@T On Mary Ann Lowder
|
|
|
|
Here lies the body of Mary Ann Lowder,
|
|
She burst while drinking a seidlitz powder.
|
|
Called from this world to her heavenly rest,
|
|
She should have waited till it effervesced.
|
|
|
|
@A Anonymous
|
|
#
|
|
@T On Miss Arabella Young
|
|
|
|
Here lies, returned to clay,
|
|
Miss Arabella Young,
|
|
Who on the first day of May
|
|
Began to hold her tongue.
|
|
|
|
@A Anonymous
|
|
#
|
|
@T From The Westminster Drollery, 1671
|
|
|
|
I saw a peacock with a fiery tail
|
|
I saw a blazing comet drop down hail
|
|
I saw a cloud wrapped with ivy round
|
|
I saw an oak creep upon the ground
|
|
I saw a pismire swallow up a whale
|
|
I saw the sea brimful of ale
|
|
I saw a Venice glass full fifteen feet deep
|
|
I saw a well full of men's tears that weep
|
|
I saw red eyes all of a flaming fire
|
|
I saw a house bigger than the moon and higher
|
|
I saw the sun at twelve o'clock at night
|
|
I saw the man that saw this wondrous sight.
|
|
|
|
@A Anonymous
|
|
#
|
|
@T Epigram
|
|
|
|
Engraved on the collar which I gave to his
|
|
Royal Highness Frederick Prince of Wales:
|
|
|
|
I am his Highness' dog at Kew
|
|
Pray tell me, sir, whose dog are you?
|
|
|
|
@A Alexander Pope
|
|
#
|
|
@T A Man of Words
|
|
|
|
A man of words and not of deeds,
|
|
Is like a garden full of weeds;
|
|
And when the weeds begin to grow,
|
|
It's like a garden full of snow;
|
|
And when the snow begins to fall,
|
|
It's like a bird upon the wall;
|
|
And when the bird away does fly,
|
|
It's like an eagle in the sky;
|
|
And when the skye begins to roar,
|
|
It's like a lion at the door;
|
|
And when the door begins to crack,
|
|
It's like a stick across your back;
|
|
And when your back begins to smart,
|
|
It's like a penknife in your heart;
|
|
And when your heart begins to bleed,
|
|
You're dead, and dead, and dead indeed.
|
|
|
|
@A Anonymous
|
|
#
|
|
@T The Voice of the Lobster
|
|
|
|
''Tis the voice of the Lobster; I heard him declare,
|
|
"You have baked me too brown, I must sugar my hair."
|
|
As a duck with its eyelids, so he with his nose
|
|
Trims his belt and his buttons, and turns out his toes.
|
|
When the sands are all dry, he is gay as a lark,
|
|
And will talk in contemptuous tones of the Shark:
|
|
But, when the tide rises and sharks are around,
|
|
His voice has a timid and tremuous sound.
|
|
|
|
'I passed by his garden, and marked, with one eye,
|
|
How the Owl and the Panther were sharing a pie:
|
|
The Panther took pie-crust, and gravy, and meat,
|
|
While the Owl had the dish as its share of the treat.
|
|
When the pie was all finished, the Owl, as a boon,
|
|
Was kindly permitted to pocket the spoon:
|
|
While the Panther received knife and fork with a growl,
|
|
And concluded the banquet by --'
|
|
|
|
@A Lewis Carroll
|
|
#
|
|
@T Lines by a Humanitarian
|
|
|
|
Be lenient with lobsters, and ever kind to crabs,
|
|
And be not disrespectful to cuttle-fish or dabs;
|
|
Chase not the Cochin-China, chaff not the ox obese,
|
|
And babble not of feather-beds in company with geese.
|
|
Be tender with the tadpole, and let the limpet thrive,
|
|
Be merciful to mussels, don't skin your eels alive;
|
|
When talking to a turtle don't mention calipee --
|
|
Be always kind to animals wherever you may be.
|
|
|
|
@A Anonymous
|
|
#
|
|
@T The Common Cormorant
|
|
|
|
The common cormorant or shag
|
|
Lays eggs inside a paper bag.
|
|
The reason you will see no doubt
|
|
It is to keep the lightning out.
|
|
But what these unobservant birds
|
|
Have never noticed is that herds
|
|
Of wandering bears may come with buns
|
|
And steal the bags to hold the crumbs.
|
|
|
|
@A Anonymous
|
|
#
|
|
@T Imitation of Chaucer
|
|
|
|
Women ben full of Ragerie,
|
|
Yet swinken not sans secresie
|
|
Thilke Moral shall ye understand,
|
|
From Schoole-boy's Tale of fayre Irelond:
|
|
Which to the Fennes hath him betake,
|
|
To filch the gray Ducke fro the Lake.
|
|
Right then, there passen by the Way
|
|
His Aunt, and eke her Daughters tway.
|
|
Ducke in his Trowses hath he hent,
|
|
Not to be spied of Ladies gent.
|
|
'But ho! our Nephew,' (crieth one)
|
|
'Ho,' quoth another, 'Cozen John';
|
|
And stoppen, and laugh, and callen out, --
|
|
This sely Clerk full low doth lout:
|
|
@P
|
|
They asken that, and talken this,
|
|
'Lo here is Coz, and here is Miss.'
|
|
But, as he glozeth with Speeches soote,
|
|
The Ducke sore tickleth his Erse-root:
|
|
Fore-piece and buttons all-to-brest,
|
|
Forth thrust a white neck, and red crest.
|
|
'Te-he,' cry'd Ladies; Clerke nought spake:
|
|
Miss star'd; and gray Ducke crieth Quake.
|
|
'O Moder, Moder' (quoth the daughter)
|
|
'Be thilke same thing Maids longen a'ter?
|
|
'Better is to pyne on coals and chalke,
|
|
'Then trust on Mon, whose yerde can talke.'
|
|
|
|
@A Alexander Pope
|
|
#
|
|
@T Sonnet
|
|
|
|
Live with me, and be my love,
|
|
And we will all the pleasures prove
|
|
That hills and valleys, dales and fields,
|
|
And all the craggy mountains yields.
|
|
|
|
There will we sit upon the rocks,
|
|
And see the shepherds feed their flocks,
|
|
By shallow rivers, by whose falls
|
|
Melodious birds sing madrigals.
|
|
|
|
There will I make thee a bed of roses,
|
|
With a thousand fragrant posies,
|
|
A cap of flowers, and a kirtle
|
|
Embroider'd all with leaves of myrtle.
|
|
@P
|
|
A belt of straw and ivy buds,
|
|
With coral clasps and amber studs;
|
|
And if these pleasures may thee move,
|
|
Then live with me and be my love.
|
|
|
|
LOVE'S ANSWER
|
|
|
|
If that the world and love were young,
|
|
And truth in every shepherd's tongue,
|
|
These pretty pleasures might me move
|
|
To live with thee and be thy love.
|
|
|
|
@A William Shakespeare
|
|
#
|
|
@T O No, John!
|
|
|
|
On yonder hill there stands a creature;
|
|
Who she is I do not know.
|
|
I'll go and court her for her beauty,
|
|
She must answer yes or no.
|
|
O no, John! No, John! No, John! No!
|
|
|
|
On her bosom are bunches of posies,
|
|
On her breast where flowers grow;
|
|
If I should chance to touch that posy,
|
|
She must answer yes or no.
|
|
O no, John! No, John! No, John! No!
|
|
|
|
Madam I am come for to court you,
|
|
If your favour I can gain;
|
|
If you will but entertain me,
|
|
Perhaps then I might come again.
|
|
O no, John! No, John! No, John! No!
|
|
|
|
My husband was a Spanish captain,
|
|
Went to sea a month ago;
|
|
The very last time we kissed and parted,
|
|
Bid me always answer no.
|
|
O no, John! No, John! No, John! No!
|
|
@P
|
|
Madam in your face is beauty,
|
|
In your bosom flowers grow;
|
|
In your bedroom there is pleasure,
|
|
Shall I view it, yes or no?
|
|
O no, John! No, John! No, John! No!
|
|
|
|
Madam shall I tie your garter,
|
|
Tie it a little above your knee;
|
|
If my hands should slip a little farther,
|
|
Would you think it amiss of me?
|
|
O no, John! No, John! No, John! No!
|
|
|
|
My love and I went to bed together,
|
|
There we lay till cocks did crow;
|
|
Unclose your arms my dearest jewel,
|
|
Unclose your arms and let me go.
|
|
O no, John! No, John! No, John! No!
|
|
|
|
@A Old English Folk Song
|
|
#
|
|
@T Unfortunate
|
|
|
|
Heart, you are as restless as a paper scrap
|
|
That's tossed down dusty pavements by the wind;
|
|
Saying, 'She is most wise, patient and kind.
|
|
Between the small hands folded in her lap
|
|
Surely a shamed head may bow down at length,
|
|
And find forgiveness where the shadows stir
|
|
About her lips, and wisdom in her strength,
|
|
Peace in her peace. Come to her, come to her!' . . .
|
|
|
|
She will not care. She'll smile to see me come,
|
|
So that I think all Heaven in flower to fold me.
|
|
She'll give me all I ask, kiss me and hold me,
|
|
And open wide upon that holy air
|
|
The gates of peace, and take my tiredness home,
|
|
Kinder than God. But, heart, she will not care.
|
|
|
|
@A Rupert Brooke
|
|
#
|
|
@T The Busy Heart
|
|
|
|
Now that we've done our best and worst, and parted,
|
|
I would fill my mind with thoughts that will not rend.
|
|
(O heart, I do not dare go empty-hearted)
|
|
I'll think of Love in books, Love without end;
|
|
Women with child, content; and old men sleeping;
|
|
And wet strong ploughlands, scarred for certain grain;
|
|
And babes that weep, and so forget their weeping;
|
|
And the young heavens, forgetful after rain;
|
|
And evening hush, broken by homing wings;
|
|
And Song's nobility, and Wisdom holy,
|
|
That live, we dead. I would think of a thousand things,
|
|
Lovely and durable, and taste them slowly,
|
|
One after one, like tasting a sweet food.
|
|
I have need to busy my heart with quietude.
|
|
|
|
@A Rupert Brooke
|
|
#
|
|
@T Love
|
|
|
|
Love is a breach in the walls, a broken gate,
|
|
Where that comes in that shall not go again;
|
|
Love sells the proud heart's citadel to Fate.
|
|
They have known shame, who love unloved. Even then
|
|
When two mouths, thirsty each for each, find slaking,
|
|
And agony's forgot, and hushed the crying
|
|
Of credulous hearts, in heaven -- such are but taking
|
|
Their own poor dreams within their arms, and lying
|
|
Each in his lonely night, each with a ghost.
|
|
Some share that night. But they know, love grows colder,
|
|
Grows false and dull, that was sweet lies at most.
|
|
Astonishment is no more in hand or shoulder,
|
|
But darkens, and dies out from kiss to kiss.
|
|
All this love; and all love is but this.
|
|
|
|
@A Rupert Brooke
|
|
#
|
|
@T One Day
|
|
|
|
Today I have been happy. All the day
|
|
I held the memory of you, and wove
|
|
Its laughter with the dancing light o' the spray,
|
|
And sowed the sky with tiny clouds of love,
|
|
And sent you following the white waves of sea,
|
|
And crowned your head with fancies, nothing worth,
|
|
Stray buds from that old dust of misery,
|
|
Being glad with a new foolish quiet mirth.
|
|
|
|
So lightly I played with those dark memories,
|
|
Just as a child, beneath the summer skies,
|
|
Plays hour by hour with a strange shining stone,
|
|
For which (he knows not) towns were fire of old,
|
|
And love has been betrayed, and murder done,
|
|
And great kings turned to a little bitter mould.
|
|
|
|
@A Rupert Brooke
|
|
#
|
|
@T Doubts
|
|
|
|
When she sleeps, her soul, I know,
|
|
Goes a wanderer on the air,
|
|
Wings where I may never go,
|
|
Leaves her lying, still and fair,
|
|
Waiting, empty, laid aside,
|
|
Like a dress upon a chair...
|
|
This I know, and yet I know
|
|
Doubts that will not be denied.
|
|
|
|
For if the soul be not in place,
|
|
What has laid trouble in her face?
|
|
And, sits there nothing ware and wise
|
|
Behind the curtains of her eyes,
|
|
What is it, in the self's eclipse,
|
|
Shadows, soft and passingly,
|
|
About the corners of her lips,
|
|
The smile that is essential she?
|
|
|
|
And if the spirit be not there,
|
|
Why is fragrance in the hair?
|
|
|
|
@A Rupert Brooke
|